Lost
Istanbul’s Grand Bazaar
Pretend you speak only one language, the swirl
of vowels, edge of consonants around you
cacophony. Thousands of miles away,
home. Familiar syllables float in air heavy
with sweat. Four thousand shops along labyrinthine
alleys and your group evaporates into the crowd
like cigarette smoke. Men shout hookahs! kilims!
words lost in your ear. “Come in for tea” pulls
at your full purse. Salesmen seem the same:
brown slacks, white button-downs, dimpled grins.
They want you, or appear to, eyes boring
into your body. The rush only happens twice.
One praises a hookah with its limp pipe curling
over a glass tube like the neck of an alien bird.
You don’t smoke. You find yourself haggling.
Next a gold chain two centimeters thick, platinum
set with emeralds, amethysts. Something more
reasonably priced? Daisy-shaped moonstones.
Turn the corner or veer left and find another display
of boxes inlaid with mother-of-pearl or painted
with soldiers on horseback, spears uplifted.
A moustached man promises a deal on a yellow leather
jacket if you don’t want a box. Suddenly you do,
selecting a set of ceramic tiles and organza
embroidered with butterflies as souvenirs. You eye
a carpet woven in Bergama—hand-dyed with madder,
chamomile, indigo. You suggest half on his price.
He laughs. Unbuttoning your shirt a notch
knocks off a million lira—ten bucks. His assistant
runs for a bigger shopping bag, but it’s time.
You imagine your group standing on the ferry,
your name on their lips. You depart empty-handed,
the taste of tea leaves on your tongue.
Baptism
Tarsus
We are offerings
this time. Unwrapped
under a stone dome,
our glossed bodies
on heated marble,
sheets hewn by hands
two-thousand years ago.
Veils of steam over
lips, noses, eyes—
our prayers vapor
pressing an oval skylight
the width of a face.
Two women emerge,
mauve slips cellophane
swathing wide buttocks
and stomachs, brown areolas
pressed flowers. Baskets
of cloths and soap sway
from reddened hands.
These women wash us,
scrub with rough sponges
from back to ankle until
skin is pink and supple,
smooth polished stone.
Praise Song
Maşallah! Praise the woman napping with her goats on grass sprinkled
with white buds, and praise the grandmother washing clothes
in a sarcophagus, brown chickens pecking near her sandaled feet
Praise Plancia Magna, priestess of the mother of gods, for adorning
Perge’s agora with art, and praise Anatolia’s cycle of holy women:
Cybele, Artemis, Mary
Praise the everyday women of Mersin replaced by villagers and bikinied
blondes in the English guidebook to their province, and praise the women
of Konya cloistered in homes
Maşallah! Praise teens in tight jeans, how they kick out their hips
as they stand, and praise workers of Translation Alley who “speak”
so well their clients marry them
Praise the Air Force’s line of Ford trucks and their red-haired drivers
Praise students who wear wigs to college classes and once outside,
don headscarves, and praise raincoated mothers striding to market
on sunny mornings, toddlers decorating their skirts
Praise the sisters sitting at the fountain in Bursa’s silk bazaar, parcels
of fabric bundled before their feet, hair the color of leaves still holding
on, burnt red against white sky
Maşallah! Praise the bakers of baklava.
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